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Exhibitions

March 2025

  • Guest curator Amber Butchart adjusts a swimsuit on display at 'Splash! A century of Swimming and Style' an exhibition of swimwear and swim related items, at The Design Museum in London,

    Splash! A Century of Swimming and Style review – lidos, Speedos and atomic bombs

  • Scarecrow by Peter Mitchell (detail)

    After the End of History: British Working Class Photography 1989-2024; Peter Mitchell: Nothing Lasts Forever – review

  • A cat lazes on a William Morris fabric design.

    William Morris designs out in the wild – in pictures

  • Giuseppe Penone’s Respirare l’ombra (To Breathe the Shadow), 1999.

    Art Weekly newsletter
    Towering trunks, disturbing dolls and deep-sea daydreams – the week in art

  • Why the weasel testicles? Cambridge show explains medieval medicine

  • Grayson Perry: Delusions of Grandeur review – pomposity puncturing gets lost in personae

  • José María Velasco review – proudly dull Mexican was wasted in wonderland

  • ‘Making art made me feel free’: the prison paintings of Myanmar’s Htein Lin

  • Discovering Jewish Country Houses review – crumbling symbols of staggering success

  • Mahtab Hussain review – smoking mums, hidden mosques … and Rishi Sunak

  • Note perfect: Ed Atkins’s daily Post-it drawings – in pictures

  • ‘Putting the unvarnished history out there’: art and activism during the Aids crisis

  • ‘A monumental moment’: world’s leading photography festival puts Australia in focus

  • Art Weekly newsletter
    Gale warnings, gothic fantasies and a masterpiece of a garden – the week in art

  • ‘I spent six years just repeating dots and lines’: the great painter Arpita Singh on a lifetime in art

  • Brief letters
    A dustpan and brush with fine art

  • ‘The female gaze interested me more’: the radical vision of Dona Ann McAdams – in pictures

  • ‘I’ve had seals nibble my toes!’ How sunkissed Cornwall became a 422-mile surf paradise

  • ‘The colour of my skin didn’t matter’: exhibition shines light on black artists in postwar Paris

  • Mario Cresci review – mind-bending tricks from an Italian iconoclast

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