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Drama
March 2025
Adolescence: drama schools hit out at ‘stars from nowhere’ narrative
Observer TV reviews
The week in TV: This City Is Ours; Love and Loss: The Pandemic 5 Years On; The Studio; The Change – review
Flashback
Beyond Paradise’s Kris Marshall looks back: ‘I was once fired from Iceland for wearing blue sunglasses on the till’
‘His genius is elusive’: Harry Lawtey and Toby Jones on bringing Richard Burton back to the screen
Between the lines: what do White Lotus characters’ book choices tell us?
Stephen Graham: the ‘working-class, mixed-race kid’ who cares deeply about the work
‘I’ve never masturbated on film before’: Michelle Williams’ orgasm odyssey in Dying for Sex
Off-season: has The White Lotus become a letdown?
The seven best shows to stream this week
Dying for Sex to The Bondsman: the seven best shows to stream this week
Australian TV review
The Last Anniversary review – Liane Moriarty adaptation with one of Australian TV’s best ensembles
The week in TV: The Residence; Last One Laughing; Severance – review
From the police to the prime minister: how Adolescence is making Britain face up to toxic masculinity
‘Watch closely and you see the camera operator’: seven things you didn’t know about Adolescence
The seven best films to watch on TV this week
Mufasa: The Lion King to O’Dessa – the seven best films to watch on TV this week
TV review
Happy Face review – Dennis Quaid is a grinning caricature in this shoddy, half-baked crime drama
TV review
Gangs of London season three review – more nerve-shreddingly tense TV
Adolescence to The Virtues: the most heartbreaking TV of all time
TV review
Good American Family review – the strange case of Natalia Grace
‘We warned everyone: do not go near Tom Cruise!’ How Covid sent British TV haywire, five years on
Observer New Review Q&A
Actor Julianne Nicholson: ‘I would have loved to have been a nepo baby but alas’
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